SECTION 1
W A T E R R E S P O N S E A T L A S
PLATE 01 -- SURFACE TENSION (AFTER RAIN)
Image of me courtesy City of Gold Coast
Water Response Atlas
An ongoing body of work exploring water as archive, surface, carrier, and living material system.
Using infused activated bioplastic, reverse image transfers, sediment traces, and responsive surfaces, these works investigate how water records interaction through mineral residue, pressure, evaporation, bacterial trace, and contact.
Each piece functions simultaneously as artwork, specimen, and observation plate.
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SELECTED WORKS EXHIBITED AS PART OF
AQUA LIMINA - THE PULSE OF WATER, CREEK TO COAST (2026)
SECTION 2
Section 3
Installation/ Sensory Works
My installation practice explores the relationship between material, memory, frequency, touch, and environmental response.
Working across bioplastics, light-responsive surfaces, sound, NFC/RFID triggers. and sensory interaction, I create immersive systems that invite audiences to experience art physically rather than passively observe it.
Many of these works exist in an active state of experimentation - developed through public testing inside the GC Creative Spaces Art Pod residency and ongoing research within the Water Response Atlas project.
The works operate as both artworks and sensory studies: part archive, part interface, part emotional environment.
01
The Art Pod -
Public Research Studio
Developed during my residency within the City of Gold Coast Creative Spaces Art Pod, this ongoing body of work transformed the studio into a public-facing sensory laboratory.
Visitors encountered evolving bioplastic experiments, hanging material studies, responsive surfaces, image transfers, frequency research, and prototype installation systems in real time.
The residency became both studio and interface: a place where experimentation remained visible.
02
Water Response Atlas - Installation Studies
Water Response Atlas explores water as both material and archive.
Using translucent bioplastics, suspended forms,
environmental recordings, and responsive display systems, the project investigates how
water carries memory, contamination, trace movement and relational histories.
Current installation studies explore suspended
plate systems, illuminated bioplastic forms,
sensory spatial environments, sound•responsive interactions, large-scale droplet architectures, and embodied audience interaction.
03
Sensory Systems +
Emerging Technologies
My practice increasingly integrates sensory technologies including NFC/RFID systems, sound-triggered interaction, vibration frequencies, responsive lighting, and material-based interfaces.
These systems are not used as spectacle, but as subtle mechanisms for deepening physical and emotional engagement with the work.
This technological layer forms part of a broader investigation into future sensory environments
and embodied audience experiences.
04
Ongoing Research Direction
The current trajectory of the work is moving toward large-scale immersive installations integrating material experimentation, and public participation.
The practice continues to evolve through experimentation, collaboration, and long-term
materials research.